For her it would be much easier and the result for her would be much better if she would go back in time and kills Comstock before he made the deal with Booker. I know that, but I can't see any sense in her motivations. If she had gone back in time to prevent Comstocks actions, he wouldn't be able to regret the acts he still haven't done yet. Originally posted by felipegri:Last but not least, Elizabeth of BaS1 wanted to Comstock to feel guilty and sorry for what he did to her. Last but not least, Elizabeth of BaS1 wanted to Comstock to feel guilty and sorry for what he did to her. We know this because in the end of Ep.1 the Luteces say that, and we can even see the scene where he shaves his long beard. It is VERY explicit that "our" Elizabeth does NOT disappear, as seen here: Īlso, that Comstock went to Rapture AFTER the baptism and AFTER becoming Comtock and founding Columbia. "Our" Elizabeth was the only one who survived because we destroyed her tower (that one made by Luteces which limited her powers). It's just my interpretation, my opinion and for me the DLCs doesn't work. I don't want to judge anyone who likes the DLCs and who has another interpretation of the story. Why did she go to Rapture for revenge? Why didn't she simply gone back in time to prevent Comstocks actions? Why didn't she stopped him before he could kill Baby-Anna?ĭon't get me wrong. It's a simple logic: If you die today, it's impossible for you to do something tomorrow.Īnd btw: The Elizabeth of BaS1 was able to go to every point in time and at every universe she wanted. That means it's impossible that he could have survived. But he was drowned a long time BEFORE he went to Rapture (right before his baptism). It was said he survived, because he went to Rapture into a foreign universe. I would say the screen just turned black in the moment our Elizabeth disappeard and was reborn as Anna DeWitt. The consequence of that is, if all the other incarnations of Elizabeth disappears, then "our" Elizabeth has to disappear to. Every version of Elizabeth was kidnapped by a Comstock and brought into another universe. But EVERY Elizabeth were in a foreign universe and not in her own. You said, "our" Elizabeth didn't disappear because she wasn't in her own universe. I'm afraid you have a small failure in your interpretation. Originally posted by felipegri:INTERPRETATION OF THE END - MOST LIKELY VERSION My question is: How could Elizabeth dies twice, if there was only ONE version of her who still existed after killing booker in the baptism? Later on we learn that the Big Daddy also kills the last version of Elizabeth.Īfter that, Elizabeth regrets having left Sally to rot and goes back to rapture to save her. She uses Sally as a bait and kills the last version of Comstock. So the last version of Elizabeth go to Rapture to kill the last version of Comstock. These two are the only version who survives because are versions that was in a universe that wasn't theirs, so what happens to their past doesn't affect them. We see that she is the only one that doesn't disappear at the end. ONE version of Comstock (which fled to Rapture).Īnd ONE version of Elizabeth (the one which we play in the Main Game). All version of Elizabeth doesn't exist anymore. All versions of Comstock doesn't exist anymore. So, in the main game Elizabeth drowns booker. Content that can only be understood with the context of having played the game, is ok.INTERPRETATION OF THE END - MOST LIKELY VERSION MARK ANY TEXT SPOILERS, as for art, do not post content that outright spoils key moments of a games narrative.If your post is fanart, include a link to the artist in post body, if you can.Include the name of the game your post is associated with in the post title.All rules of the parent instance apply.This is not a place to discuss mechanics or stats, but to show off simply the artistic, expressed through the video game medium. The one common thread should be an eye for the aesthetic. Screenshots, fanart, animations, gameplay clips. This community is in appreciation of that. They are albums of sound, aesthetics, animation and narrative.
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